The vagueness of passions, or, don't marry actresses (or opiate-taking musicians who compose symphonies for you after they see you in a play one day and then want to marry you when you meet them six years later, to be fair)
The vagueness of passions, or, don't marry actresses (or opiate-taking musicians who compose symphonies for you after they see you in a play one day and then want to marry you when you meet them six years later, to be fair)
www.commonreader.co.uk
After attending a performance of Shakespeare's Hamlet on 11 September 1827, Berlioz fell in love with the Irish actress Harriet Smithson who had played the role of Ophelia. He sent her numerous love letters, all of which went unanswered. When she left Paris, they had still not met. Berlioz then wrote
The vagueness of passions, or, don't marry actresses (or opiate-taking musicians who compose symphonies for you after they see you in a play one day and then want to marry you when you meet them six years later, to be fair)
The vagueness of passions, or, don't marry…
The vagueness of passions, or, don't marry actresses (or opiate-taking musicians who compose symphonies for you after they see you in a play one day and then want to marry you when you meet them six years later, to be fair)
After attending a performance of Shakespeare's Hamlet on 11 September 1827, Berlioz fell in love with the Irish actress Harriet Smithson who had played the role of Ophelia. He sent her numerous love letters, all of which went unanswered. When she left Paris, they had still not met. Berlioz then wrote