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Stephen Long's avatar

I have just taken out a print subscription! Looks like a wonderful publication. I am surprised to see you sceptical with a 'k'.

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Henry Oliver's avatar

Typo :/

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Christopher's avatar

Looking forward to reading this! It was about this time a few years back that I enjoyed reading another text in that publication about English style and how it's changed over time: “The Elements of Scientific Style” by Étienne Fortier-Dubois. It also addresses Plain English and is worth reading.

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Christina Migone-Benfield's avatar

Thanks for this! I can and do write like hemingway, too. Sometimes. Also, I do find Victorian prose far too entangled. Sometimes. AND... (even oxford comma is missing here!) I find short sentences slightly patronising. Sometimes. As if the reader could not cope or remain concentrated on the piece of writing he/she has come across on the book he/she has borrowed from the library or has perhaps just bought on the way to meet up with a friend for a drink after work or ... 😉

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Matthew Clayfield's avatar

I hope you have a long and complicated sentence in there at some point.

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Henry Oliver's avatar

ofc :)

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Virginia Postrel's avatar

Somehow this reminded me of Virginia Tufte's book Artful Sentences (Virginia was the mother of Edward, in case you're wondering): https://amzn.to/4ojDikE

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Henry Oliver's avatar

I love that book!!

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Nicholas Weininger's avatar

One might fruitfully explore this direction further in at least two ways. First, what are the technological and sociological correlates of plainness in style? Do writers aiming at a more working-class audience write more plainly— or less? Does the availability of audiobooks as a potential revenue stream nudge authors to write more speech-like prose, i.e. in the CS Lewis rather than the Samuel Johnson style?

Second, how does this parallel trends in other arts over the last five centuries? What if anything can we learn from it about Baroque versus Classical music, say, or about 19th vs 20th century architectural styles? Are there common threads in how human psychology reacts to a plainer delivery of a sense-impression versus one that requires more work, or more specialized intellectual pre-training, to process and appreciate?

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